SAY IT WITH A SONG
The Basics of Musical Theatre Song Writing with Britta Johnson
Application deadline: November 1. Class starts Tuesday, November 10. Sign up now, before it's too late.
This course is underway. Sign-ups have closed for this round.
This course will focus on the power of music and song to explode and deepen your storytelling. We will discuss musical theatre dramaturgy, bookwriting, song structure, song spotting, lyric writing and the many expansive ways to use music to tell a story.
- Dates
- November 10 – December 7, 2026Tuesdays November 10 - December 1 + Monday December 7, 2026 (5 sessions)
- Time
- 6:30–9:00 PM ET5 live sessions
- Where
- Live online, on ZoomJoin from anywhere
- Group
- Small and focusedMax 12 writers
Subsidized spots are available. Email breanne@expect.org to inquire.
01 About the course
This course will focus on the power of music and song to explode and deepen your storytelling. We will discuss musical theatre dramaturgy, bookwriting, song structure, song spotting, lyric writing and the many expansive ways to use music to tell a story.
Participants can be text-based (playwrights, lyricists, novelists) or musicians (songwriters or otherwise) but everyone will be asked to try their hand at scene-work and lyric writing (generating music will be optional!)
This workshop took one of the most ambitious art forms and made it feel manageable and practicable.
Past Participant
02 Meet Britta
Britta Johnson is a composer, lyricist and writer based in Toronto. Her original musical LIFE AFTER (for which she wrote book, music and lyrics) had an extended, multiple Dora Award-winning production at Toronto’s Berkeley St. Theatre before playing at the Old Globe in San Diego, the Goodman in Chicago and Toronto’s Ed Mirvish Theatre. Her other writing credits include: With her sister Anika Johnson: JACOB TWO-TWO MEETS THE HOODED FANG (Coming up this season at the Stratford Festival); DR. SILVER (Outside the March/South Coast Rep). With Sara Farb, KELLY V. KELLY (Musical Stage Co./CanStage, winner of the Playwright’s Guild of Canada Best New Musical award). With Katherine Cullen: STUPIDHEAD! (TPM). She was a co-creator of Tim Hortons’ 60th Anniversary musical, THE LAST TIMBIT which opened at the Elgin Theatre in the Summer of 2024 before streaming nationwide on CraveTV. She was the inaugural Crescendo Artist with Musical Stage Company which included a commitment to produce three of her shows in three years and was named one of Fifty to Watch by the Broadway Women’s Fund of America. She teaches musical theatre writing at Sheridan College and proudly co-runs Toronto’s Belt Choir, a musical theatre drop-in choir focussed on fun and community.
03 How it works
We keep every course small so everyone gets real attention. That means we can't always fit everyone who's keen, and Britta helps us shape a group of writers who'll get the most out of these weeks together. Here's the whole process.
- 1
Sign up
Name, email, phone. That's it. No essays, no fee, no commitment.
- 2
We say hello
Within a couple of minutes we'll email you and ask for a short writing sample and a little about your writing and experience.
- 3
Confirm and go
If it's a fit, we confirm your spot and follow up with more details and payment information. If we can't fit you this round, you'll hear first about the next one. And of course, there's no fee to pay unless you're offered a spot.
Sign up
Sign up for Britta Johnson's course
This course is underway
Thirty seconds, four fields. No fee and no commitment right now. We just need to know you're interested.
Sign-ups for this round have closed. We'd love to keep you in the loop about the next one, and about everything else coming up at PlayPEN.
Or email breanne@expect.org and we'll tell you first when Britta Johnson teaches again.
You're on the list.
Thanks, friend. We've saved your name for SAY IT WITH A SONG: The Basics of Musical Theatre Song Writing with Britta Johnson, Tuesdays November 10 - December 1 + Monday December 7, 2026 (5 sessions), 6:30–9:00 PM ET.
Here's what happens next: within a couple of minutes you'll get a quick, friendly email from us. We'll ask for a short writing sample and a little about your writing and your experience. Nothing formal, we just want to get to know you as an artist. If it's a fit, we'll confirm your spot and follow up with more details and payment information ($325). There's no fee to pay unless you're offered a spot.
Keep an eye on your inbox (and the promotions folder) for a note from Breanne at Expect Theatre.