LOOKING FOR TROUBLE
Understanding Conflict as a Storytelling Tool with Michael Ross Albert
Class starts Tuesday, October 6. Sign up now, before it's too late.
This course is underway. Sign-ups have closed for this round.
Conflict is the driving force of dramatic writing. But in the early stages of a new play's development, writers have a tendency to focus on other storytelling elements, which can disrupt the text's dramatic momentum and unbalance its structure. In this course, writers will be encouraged to mine their plays for conflict in order to heighten the emotional stakes of their work and mould their writing into rich, dramatically satisfying arcs.
- Dates
- October 6 – November 3, 2026Tuesdays October 6 - November 3, 2026 (5 sessions)
- Time
- 6:30–9:00 PM ETTuesdays · 5 live sessions
- Where
- Live online, on ZoomJoin from anywhere
- Group
- Small and focusedMax 12 writers
Subsidized spots are available. Email breanne@expect.org to inquire.
01 About the course
Conflict is the driving force of dramatic writing. But in the early stages of a new play's development, writers have a tendency to focus on other storytelling elements, which can disrupt the text's dramatic momentum and unbalance its structure. In this course, writers will be encouraged to mine their plays for conflict in order to heighten the emotional stakes of their work and mould their writing into rich, dramatically satisfying arcs.
Emerging and/or mid-career playwrights will learn how to use conflict as a conduit for plot exposition, as a catalyst for character development, and as the engine for a play's dramatic action. Participants will be invited to share new works in process, and receive feedback with a focus on plot, structure, and high-stakes storytelling.
Michael introduced me to playwriting concepts I had never heard of before - they are so practical.
It was a great sandbox to explore in and try new things.
Past Participant
02 Meet Michael
Described by the Toronto Star as “one of Toronto’s most exciting playwrights,” Michael Ross Albert is a Dora Award-nominated writer whose work has been staged across Canada, the United States, the United Kingdom, and elsewhere. His plays include The Bidding War (Crow's Theatre; finalist, Carol Bolt Award), The Village It Takes (finalist, Tom Hendry Drama Award) Beautiful Renegades (Peggy Baker Dance Projects), Two Minutes to Midnight (The Assembly Theatre), Miss (Unit 102), and Tough Jews (Dora Award nomination, Outstanding New Play). Michael's work has been presented in multiple Fringe festivals, including Edinburgh, Brighton, Edmonton, Halifax, and FringeNYC. Five of his plays were staged in the Toronto Fringe Festival, includingThe Huns and Anywhere; both plays were named Patron’s Pick and Best of Fringe, and have received subsequent productions.
03 How it works
We keep every course small so everyone gets real attention. That means we can't always fit everyone who's keen, and Michael helps us shape a group of writers who'll get the most out of these weeks together. Here's the whole process.
- 1
Reserve your spot
Name, email, phone. That's it. No essays, no fee, no commitment.
- 2
We say hello
Within a couple of days we'll email you and ask for a short writing sample and a little about your writing and experience. Think of it as an introduction, not a test.
- 3
Confirm and go
If it's a fit, we confirm your seat and sort out the fee together. If we can't fit you this round, there's nothing to pay and you'll hear first about the next one.
Save your seat
Reserve your spot with Michael Ross Albert
This course is underway
Thirty seconds, four fields. No fee and no commitment right now. We just need to know you're interested.
Sign-ups for this round have closed. We'd love to keep you in the loop about the next one, and about everything else coming up at PlayPEN.
Or email breanne@expect.org and we'll tell you first when Michael Ross Albert teaches again.
You're on the list.
Thanks, friend. We've saved your name for LOOKING FOR TROUBLE: Understanding Conflict as a Storytelling Tool with Michael Ross Albert, Tuesdays October 6 - November 3, 2026 (5 sessions), 6:30–9:00 PM ET.
Here's what happens next: within a couple of days we'll send you a quick, friendly email. We'll ask for a short writing sample and a little about your writing and your experience. Nothing formal, we just want to get to know you as an artist. Then we'll confirm your spot and sort out the fee ($325) together.
Keep an eye on your inbox (and the promotions folder) for a note from Breanne at Expect Theatre.